Religious Studies

This valuable reference work offers concise, expert answers to questions on all aspects of life and culture in medieval England.

Each is presented in the original language, with normalized spelling and substantial annotations for modern readers. Among the new added to the Second Edition are the much-requested "Merchant's Tale" and the "Tale of Sir Thopas." "Sources and Backgrounds" are included for the General Prologue and for most of the tales, enabling students to understand The Canterbury Tales in light of relevant medieval ideas and attitudes and inviting comparison between Chaucer's work and his sources. "Criticism" includes nine essays, four of them new to this edition, by leading Chaucerians, among them F. R. H. DuBoulay, E. Talbot Donaldson, Barbara Nolani, and Lee Patterson. A Chronology and Selected Bibliography are also included.

PART I. POETRY. II. COMMENTARY. Bibliography. Glossary.

In this highly accessible social history, Paul Strohm, one of the finest medievalists of our time, vividly recreates the bustle of everyday life in fourteenth-century London while he unveils the fascinating story behind Chaucer's journey from personal crisis to rebirth as the immortal poet of The Canterbury Tales.

This edition provides the general information on Chaucer's life, language, and works that one needs for a first reading of Chaucer, and difficult words and constructions are glossed on the pages. The Appendix contains the materials, including the extensive notes and glossary, for a more thorough understanding of Chaucer's works.

This revised edition is based on the first edition which has become a classic in Chaucer studies. Important material has been updated in the text, and its contributions cover recent trends in literary theory as well as in studies of Chaucer's works. The bibliography has been completely revised to provide an indispensable guide for today's student of Chaucer.

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life--yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature.

David Wright's new translation of The Canterbury Tales into modern verse--the first to appear in over thirty years--makes one of the greatest works of English literature accessible to all readers while preserving the wit and vivacity of Chaucer's original text.

Readers of the Canterbury Tales have always marvelled at the spirited interplay among the pilgrims and the manner in which the stories they tell seem to fit their characters. In Tellers, Tales, and Translation Warren Ginsberg argues that Chaucer often recast a coordinating idea or set of concerns in the portraits, prologues, tales, and epilogues that make up a 'Canterbury' performance. For the Clerk, the idea is transition, for the Merchant it isrevision and reticence, for the Miller it is repetition, for the Franklin it is interruption and elision, for the Wife of Bath it is self-authorship, for the Pardoner it is misdirection and subversion.